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alich
11 October 2009 @ 03:22 pm
Frida Kahlo to Marty McConnell
by Marty McConnell


leaving is not enough; you must
stay gone.
train your heart
like a dog. change the locks
even on the house he’s never
visited. you lucky, lucky girl.
you have an apartment
just your size. a bathtub
full of tea. a heart the size
of Arizona, but not nearly
so arid. don’t wish away
your cracked past, your
crooked toes, your problems
are papier mache puppets
you made or bought because the vendor
at the market was so compelling you just
had to have them. you had to have him.
and you did. and now you pull down
the bridge between your houses,
you make him call before
he visits, you take a lover
for granted, you take
a lover who looks at you
like maybe you are magic
. make
the first bottle you consume
in this place a relic. place it
on whatever altar you fashion
with a knife and five cranberries.
don’t lose too much weight.
stupid girls are always trying
to disappear as revenge. and you
are not stupid. you loved a man
with more hands than a parade
of beggars, and here you stand. heart
like a four-poster bed. heart like a canvas.
heart leaking something so strong
they can smell it in the street.

Emphasis mine.

 
 
Current Mood: bouncy
 
 
alich
08 September 2009 @ 12:32 pm
I went to the zoo last Saturday.

The goal was not merely because I wanted to catch up on my non-existent childhood or to count how many exotic animals this particular zoo has imported from God knows where.

All I wanted to attain was to see for myself what I’ve missed.

Very near to the entrance was a solitary elephant, with big flappy ears and a fat behind. I didn’t check if it was a he or a she.

To see it alive and walking and chomping on grass in real time just a few feet away from me got me thinking how important it is to experience things first hand. It is never enough to be wowed by coffeetable book versions or life-sized blowups of flowers or trees or animals. You have to hold them and feel the texture of their petals or barks or behinds. You have to share the same space they occupy and to see that there is a certain uniqueness in every living being that can only be fully appreciated when you see them with your own (myopic or not) eyes.

The zoo trip reminds me of a poem I used to recite when I was a kid.

All things bright and wonderful
All creatures great and small
All things wise and wonderful
The Lord God made them all.

I used to wave my arms as broadly as I could to encompass everything with the “All things” part of the poem. Today, I come to understand what this poem means.

Next time, I will know which to choose when I’m torn between curling up with a good book in my room and being offered the chance to get to walk around a different corner of the universe. Next time, the book can always, always wait.
 
 
Current Mood: cheerful
 
 
alich
"Lit (or: to the scientist I am not speaking to any more)"
Cristin O'Keefe Aptowicz

Don’t say you didn’t see this coming, Jason.

Don’t say you didn’t realize this would be my reaction
and that you never intended for me to get all worked up,
because if that were true, then you are dumber
than Lenny from Mice and Men, blinder than Oedipus
and Tierus put together and can feel less
than a Dalton Trumbo character.

You put the Dick in Dickens and the Boo in kowski
and are more Coward-ly then Noël.

But you don’t understand any of these references,
Do you, Jason? Because you ‘don’t read’.
You are a geology major and you once told me
That, ‘Scientists don’t read popular literature,
Cristin, we have more important things to do’.

Well, fuck you.

Be glad you don’t read, Jason,
because maybe you won’t understand this
as I scream it to you on your front lawn,
on Christmas Day, brandishing three hypodermic needles,
a ginsu knife and a letter of permission
from Bret Easton Ellis.

Jason, you are more absurd than Ionesco.
You are more abstract than Joyce,
more inconsistent than Agatha Christie
and more Satanic than Rushdie’s verses.

I can’t believe I used to want to Sappho you, Jason.
I used to want to Pablo Neruda you,
to Anais Nin And Henry Miller you. I used to want
to be O for you, to blow for you in ways
that even Odysseus’ sails couldn’t handle.
But self-imposed illiteracy isn’t a turn-on.

You used to make fun of me being a writer,
saying ‘Scientists cure diseases,
what do writers do?’

But of course, you wouldn’t understand, Jason.
I mean, have you ever gotten an inner thirsting
for Zora Neale Hurston?
Or heard angels herald for you
to read F Scott Fitzgerald?
Have you ever had a beat attack for Jack Kerouac?
The only Morrison you know is Jim, and you think
you’re the noble one?

Go Plath yourself.

Your heart is so dark, that even Joseph Conrad
couldn’t see it, and it is so buried under bullshit
that even Poe’s cops couldn’t hear it.

Your mind is as empty as the libraries in Fahrenheit 451.
Your mind is as empty as Silas Marner’s coffers.
Your mind is as empty as Huckleberry Finn’s wallet.

And some people might say that this poem
is just a pretentious exercise
in seeing how many literary references
I can come up with.

And some people might complain that this poem is,
at its core, shallow, expressing the same emotion again,
and again, and again. (I mean, there are only so many times
you can articulate your contempt for Jason,
before people get bored.)

But you know what, Jason? Those people would be wrong.

Because this is not the poem I am writing to express
my hatred for you.

This poem is the poem I am writing because we aren’t speaking,
and it is making my heart hurt so bad, it is all I
can do just to get up off the floor sometimes.

And this is the poem I am writing instead of writing
the ‘I miss having breakfast with you’ poem, instead of
writing the ‘Let’s walk dogs in our old schoolyard
again’ poem.

Instead of the ‘How are you doing?’ poem, the ‘I miss you’ poem,
the ‘I wish I was making fun of how much you like Garth
Brooks while sitting in front of your parents’ house
in your jeep’ poem, instead of the ‘Holidays are coming around
and you know what that means: SUICIDE!’ poem.

I am writing this so that I can stop wanting to write
the ‘I could fall in love with you again so quickly
if only you would say one more word to me’ poem.

But I am tired of loving you, Jason
cause you don’t love me right.

And if some pretentious-ass poem can stop me
From thinking about the way your laugh sounds,
about the way your skin feels in the rain,
about how I would rather be miserable with you,
then happy with anyone else in the world.

If some pretentious-ass poem can do all that?
Then I am gone with the wind, I am on the road,
I have flown over the fucking cuckoo’s nest,
I am gone, I am gone, I am gone.

I am.
 
 
Current Mood: blah
 
 
alich
12 July 2009 @ 04:46 am
the morning after.
Don't be polite.
Bite in.
Pick it up with your fingers and lick the juice that
may run down your chin.
It is ready and ripe now, whenever you are.

You do not need a knife or fork or spoon
or plate or napkin or tablecloth.

For there is no core
or stem
or rind
or pit
or seed
or skin
to throw away.
I thought I had a slight fever last night but the supposed sickness didn't last. The stench of the smoke didn't last. Even the annoyed feeling that banned person inflicted is now just something to cringe at.
 
 
Current Mood: warm
 
 
alich
04 July 2009 @ 03:42 pm
This is my poem for the day.

I Know the Way You Can Get

I know the way you can get
When you have not had a drink of Love:

Your face hardens,
Your sweet muscles cramp.
Children become concerned
About a strange look that appears in your eyes

Which even begins to worry your own mirror
And nose.

...

Even angels fear that brand of madness
That arrays itself against the world
And throws sharp stones and spears into
The innocent
And into one’s self.

O I know the way you can get
If you have not been drinking Love:

You might rip apart
Every sentence your friends and teachers say,
Looking for hidden clauses.

You might weigh every word on a scale
Like a dead fish.

You might pull out a ruler to measure
From every angle in your darkness
The beautiful dimensions of a heart you once
Trusted.


...

From: “I Heard God Laughing"
Renderings of Hafiz: by Daniel Ladinsky.



+

I know now why I have never liked you. Or been frustrated about you. Because when I look at you, I see myself. We always have "one feet out the door". 
 
 
Current Mood: apathetic
 
 
alich
29 May 2009 @ 10:04 pm
I am engulfed in thine words, oh Rumi.

The smell of pride and greed and lust
will betray you when you speak
as much as the onions you have eaten.
Many prayers are rejected because of their smell;
the corrupt heart reveals itself in the tongue.
But if your meaning is pure,
God will welcome even your clumsy expression.

-- Mathnawi III: 166;169;171
Version by Camille and Kabir Helminski
 
 
Current Mood: happy
 
 
alich
23 May 2009 @ 08:57 pm
It's not fun to be always sober. 

I am drunk and you are insane
tell me, who will lead us home?
How many times have I asked you not to drink so much
for I see no sober soul in town.
Come to the tavern my dearest and taste the wine of love
for the soul is joyous only in the company of lovers.
The tavern of love is your livelihood
your income and expenses, the wine.
Be careful, not to trust a sober soul
with even one drop of this wine.
Go on playing your lute, my drunken gypsy but tell me,
between the two of us, who is more drunk?
As I left my house a Sufi approached me,
in his glance I saw a hundred gardens.
He swayed from side to side like a ship without an anchor,
while a hundred reasonable men watched on enviously.
Where are you from? I asked him.
He replied, "Half from Turkistan and half from Farghaneh,
half from water and clay and half from soul and heart,
half from the edge of the sea and half from the depths of the coean."

-- Ghazal (Ode) 2398
Translated by Azima Melita Kolin
and Maryam Mafi

I have never been totally drunk  in which I couldn't walk anymore. (And I'm already twenty four. How pathetic is that.) When intoxicated, I still know what it is that's happening and I can still think straight. What the hell. Where's the fun in that? I've never puked infront of anyone, never emabarrased myself in any drinking spree. When I couldn't take the alchohol anymore, I fall asleep and then again, where's the fun in that? 

I'd like to be stupendously drunk one of these days. 
 
 
Current Location: pilipinas
Current Mood: sober
 
 
alich
17 May 2009 @ 10:22 pm
Death Comes to Me Again, a Girl
Dorianne Laux


Death comes to me again, a girl in a cotton slip.
Barefoot, giggling. It’s not so terrible, she tells me,
not like you think: all darkness and silence.

There are wind chimes and the scent of lemons.
Some days it rains. But more often the air
is dry and sweet. We sit beneath the staircase
built from hair and bone and listen
to the voices of the living.

I like it, she says, shaking the dust from her hair.
Especially when they fight, and when they sing.
 
 
Current Mood: confused
 
 
alich
12 May 2009 @ 06:47 pm
"Abschieds Symphony"
Dorianne Laux

Someone I love is dying, which is why,
when I turn the key in the ignition
and back the car out of the parking space
in the underground garage, and the radio
comes on, sudden and loud, something
by Haydn, a diminishing fugue, and maneuver
the car through the dimly lit tunnels
with their low ceilings, following the yellow arrows
stenciled at intervals on the gray cement walls,
I think of him, moving slowly through the last
hard days of his life and I can't stop crying.
When I arrive at the toll gate I have to make myself
stop thinking as I dig in my pockets for the last
of my coins, turn to the attendant, indifferent
in his blue smock, his white hair curling like smoke
around his weathered neck, and say Thank you,
like an idiot, and drive into the blinding midday light.
Everything is hideously symbolic,
and everything reminds me of cancer:
the Chevron truck, its rounded underbelly
spattered with road grit and the sweat
of last night's rain, the dumpster
behind the flower shop, its sprung lid
pressing down on dead wedding bouquets--
even the smell of something simple, coffee drifting
from the open door of a cafe and my eyes
glaze over, ache in their sockets.
For months now all I've wanted is the blessing
of inattention, to move carefully from room to room
in my small house, numb with forgetfulness.
To eat a bowl of cereal and not imagine him,
scrubbed thin and pale, unable to swallow.
How not to imagine the tumors
ripening beneath his skin, flesh
I have kissed, stroked with my fingertips,
pressed my belly and breasts against, some nights
so hard I thought I could enter him, open
his back at the spine like a door or a curtain
and slip in like a small fish between his ribs,
nudge the coral of his brain with my lips,
brushing over the blue coils of his bowels
with the fluted silk of my tail.
Death is not romantic. He is dying,
no matter how I see it, no matter
what I believe, that fact is stark
and one dimensional, atonal,
a black note on an empty staff.
My feet are cold, but not as cold as his,
and I hate this music that floods
the cramped insides of my car, my head,
slowing the world down with its
lurid majesty, transforming everything I see
into some sort of memorial to life,
no matter how ugly or senseless--
even the old Ford in front of me,
its battered rear end thinning to scallops of rust,
pumping black classical clouds of exhaust
into the shimmering air-- even the tenacious
nasturtiums clinging to a fence, vine and bloom
of the insignificant, music spilling
from their open faces, spooling upward, past
the last rim of blue and into the still pool
of another galaxy, as if all that emptiness
were a place of benevolence, a destination,
a peace we could rise to.
 
 
Current Location: pilipinas
Current Mood: cold
 
 
alich
19 April 2009 @ 08:38 pm
For Paolo
I bear equally with you
the black permanent separation.
Why are you crying? Rather give me
your hand,
promise to come again in a dream.
You and I are a mountain of grief.
You and I will never meet on this earth.
If you could only send me at midnight
a greeting through the stars

А́нна Ахма́това
 
 
Current Location: pilipinas
Current Mood: awake
 
 
alich
01 December 2008 @ 04:57 pm
Alice. If I ever sat next to you in the lobby or saw me fumbling for an answer in a class I barely show up for, chances are, you would probably call me by my "Alice" name and remember that I was your absentee classmate.

Alich. If you call me the "Alich" version, maybe you've seen my facebook screen name and decided it sounded nice to call me "Alich" every now and then. Anyway, "Alich" was coined in high school, by Ron Rimando, who was my Math wiz seatmate in sophomore year (at least, that's how I believe it originated).

Coco.
If you know about my "Coco" nickname, it's because you're mi familia. Or you're a family friend. People outside school have been astounded to learn I have a "Coco" name the same way that my cousins have been surprised to learn I'm named "Alice" because to most of them, I'm simply "Ate Coco".

Corinna. But if you ever knew I had a second "Corinna" name, you would probably be:
1. A stalker stalking this blog (because I don't say this name out loud or write this name in exam papers or use it in Friendster;
2. a follower of my Flickr link;
3. someone I whispered to when you couldn't guess what my second name was;
4. an incredulous officemate;
5. my parents;
6. my siblings;
7. someone I hold dear.

Lately, I have begun to embrace this name, and much LOVE goes to Wiki yet again, for introducing me to perhaps, one of the very first people who have been christened with "Corinna".

She was was an Ancient Greek poet alright, who lived around 6th century BC. Here is...

A fragment of Corinna's poetry

ἐπί με Τερψιχόρα [
καλὰ Ϝεροῖ’ ἀισομ[έναν
Ταναγρίδεσσι λε[υκοπέπλυς
μέγα δ’ ἐμῆς γέγ[αθε πόλις
λιγουροκω[τί]λυ[ς ἐνοπῆς. (fr. 2)
Terpsichore [told] me
lovely old tales to sing

to the white-robed women of Tanagra
and the city delighted greatly
in my voice, clear as the swallow's.


:) I love "Corinna" already.
 
 
Current Location: 31a
Current Mood: awake
 
 
alich
30 September 2008 @ 04:45 pm
Another one to take note of:

by Bertolt Brecht

So you should simply make the instant
Stand out, without in the process hiding
What you are making it stand out from.
Give your acting
That progression of one-thing-after-another,
that attitude of
Working up what you have taken on. In this way
You will show the flow of events and also the course
Of your work, permitting the spectator
To experience this Now on many levels, coming from
Previously and
Merging into Afterwards, also having much else Now
Alongside it. He is sitting not only
In your theatre but also
In the world.
 
 
Current Location: la union!
Current Mood: content
Current Music: i gotta find you + joe jonas
 
 
alich
12 August 2008 @ 09:58 am
There is something very special about my poem of the day yesterday. It has everything to do with how it is written of course -- to me, it sounds like Separation, and I can hear it on repeat in my head. (I wish I could write poems such as these.)

I'm skipping the title again because it gives everything away so soon.

I am silver and exact. I have no preconceptions.
Whatever I see I swallow immediately
Just as it is, unmisted by love or dislike.
I am not cruel, only truthful –
The eye of a little god, four-cornered.
Most of the time I meditate on the opposite wall.
It is pink, with speckles. I have looked at it so long
I think it is part of my heart. But it flickers.
Faces and darkness separate us over and over.

Now I am a lake. A woman bends over me,
Searching my reaches for what she really is.
Then she turns to those liars, the candles or the moon.
I see her back, and reflect it faithfully.
She rewards me with tears and an agitation of hands.
I am important to her. She comes and goes.
Each morning it is her face that replaces the darkness.
In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish.

-Sylvia Plath
Oh yes, "This above all: to thine ownself be true (!)"
Tags:
 
 
Current Location: the cubicle
Current Mood: accomplished
Current Music: the hum of the aircon
 
 
alich
25 July 2008 @ 09:53 am
This is my poem for the day.

The title is too sappy for me, so I'm omitting it (sorry, Rabindranath Tagore). Besides, it's not a sin to omit titles when you have good reason to.

I feel giddy to start another 24 hours or so with this:

I seem to have loved you in numberless forms, numberless times…
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.

Whenever I hear old chronicles of love, it’s age old pain,
It’s ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.

You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
 
 
Current Location: the cubicle
Current Mood: happy
 
 
alich
25 June 2008 @ 04:35 pm
Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket--safe, dark, motionless, airless--it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable.

- C.S. Lewis

Tags:
 
 
Current Mood: cold
 
 
alich
02 June 2008 @ 09:00 am
This poem was meant for me, I'd like to believe. Every now and then there are moments when I want to give myself a generous bashing for choosing to be idiotic. Then again, as the poem goes, "Regret none of it..." Thank goodness for poems like the one below. This is the kind that makes me feel hopeful.


Antilamentation
Dorianne Laux

Regret nothing. Not the cruel novels you read
to the end just to find out who killed the cook.
Not the insipid movies that made you cry in the dark,
in spite of your intelligence, your sophistication.
Not the lover you left quivering in a hotel parking lot,
the one you beat to the punchline, the door, or the one
who left you in your red dress and shoes, the ones
that crimped your toes, don't regret those.
Not the nights you called god names and cursed
your mother, sunk like a dog in the livingroom couch,
chewing your nails and crushed by loneliness.
You were meant to inhale those smoky nights
over a bottle of flat beer, to sweep stuck onion rings
across the dirty restaurant floor, to wear the frayed
coat with its loose buttons, its pockets full of struck matches.
You've walked those streets a thousand times and still
you end up here. Regret none of it, not one
of the wasted days you wanted to know nothing,
when the lights from the carnival rides
were the only stars you believed in, loving them
for their uselessness, not wanting to be saved.
You've traveled this far on the back of every mistake,
ridden in dark-eyed and morose but calm as a house
after the TV set has been pitched out the upstairs
window. Harmless as a broken ax. Emptied
of expectation. Relax. Don't bother remembering
any of it. Let's stop here, under the lit sign
on the corner, and watch all the people walk by.
 

 
 
 
Current Location: the garden of good and evil
Current Mood: awake
Current Music: the vacuum cleaner
 
 
alich
10 March 2008 @ 03:05 pm
Yesterday, I attended a funeral. It was for a distant relative, an uncle, whom I have never met.

Funeral Blues
W.H. Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead.
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.

The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun,
Pour away the ocean and sweep up the woods;
For nothing now can ever come to any good.
   



Lunch was grilled fish that was too herby for my taste. We stayed til past 5:30 and then Uncle Nino started making excuses. It was a long day. Ate Chinky won a free Chippy at the Shell station and we each had Pepsi Deluxe. The Creme Caramel tastes way better than what I ended up with: a Strawberries and Cream.  

The mass was held, not to mourn for the dead, but to praise the person that he has been. It was afterall, a Thanksgiving for the Life of my distant uncle. 

Coincidentally, something died in someone I surprisingly hold dear to me too, yesterday.  But there was no funeral pyre for it, no last hymns, no prayers offered for the death of the fleeting feelings. I suppose I should be thankful for that, too. Practically, I should be. But I'm not.
 
 
Current Location: the cubicle
Current Mood: cold
Current Music: Higher Ground + Charles Gabriel
 
 
alich
18 October 2007 @ 03:25 pm
I love the way she writes. The way she weaves those words that jump out of PDI's pages every Saturday in Super! And it's uncanny that almost anything I come across that she's written somehow relates to what I'm going through at the particular moment I find her words. 

For instance, I found her neo-angst attack article one Saturday afternoon in the UPB Library when I felt I wanted to kill someone at that moment - just because that someone's face irritated my senses. Wehehe. And then she wrote about the Slow Movement just when I finally convinced myself that I should be slowing down. Some months ago she wrote about how it is working for a bookshop which she lovingly refers to as the "National Treasury" for bookworms (read the article here) when I secretly dream everyday about being enclosed in the sanctity of a bookshop and actually working there. 

Now, I find this poem:




Space
Tals Diaz


There is a space
Between eyeblinks
Between breaths between fingers on a hand
Between hands clasped in prayer

There is a space
Before laughter becomes a sigh,
An infinite excitement
Within the space of a soul-kiss

There is a space
Between a devil’s horns
And an angel’s wings

A space between
The slivers of rain
And the rays of the sun

Between words
Between sentences
Between chapters
And volumes
There is a space

Between the left and right side
Of the brain
Before the thought and the action
Between today and tomorrow

There is a space
Before a high
Between atomic songs
Between neon light streaks
Painted on walls of hedonist palaces
Between Friday night and Saturday dawn

When you think about it
Love letters mean nothing
If there is no space, no distance
Between two people
Two lives
Two worlds

And there are no dreams
If there is no space between heaven and earth
Between stars
And constellations
Between planets
Between galaxies

And there is no growth
Without the space
Between pain and risk

There is a space
Between you and I

What is space, then, but nothing---
It means nothing
Nothing at all
Without the entities that create it.


I don't think I need to explain how this relates to me right now.

 
 
Current Location: wonderland
Current Mood: jubilant
Current Music: payong + ceres and eugene
 
 
alich
02 October 2007 @ 02:56 pm

Love Song 
Rainer Maria Rilke 



How can I keep my soul in me, 
so that it doesn't touch your soul? How can I raise 
it high enough, past you, to other things? 
I would like to shelter it, among remote 
lost objects, in some dark and silent place 
that doesn't resonate when your depths resound. 

Yet everything that touches us, me and you, 
takes us together like a violin's bow, 
which draws one voice out of two separate strings. 
Upon what instrument are we two spanned? 
And what musician holds us in his hand? 
Oh sweetest song.


It's interesting how one poem can articulate my thoughts for two people.

 
 
Current Location: wonderland
Current Mood: impressed
Current Music: the raindrops
 
 
alich
29 September 2007 @ 12:12 pm
This poem is sOo melancholic. Reading it, I can almost feel the dull (Nothing falls tonight) ache, the stillness of his heart, and how he says yes no ask me tomorrow of whomever thought this up.
Last Night Walking Away
-Vincenz C. Serrano

No pain.
Not even trying to feel. Just this dark sky without a sound.
Just these gray cirrus clouds,
like ash.

Walking away I think
of the flowers you had given me,
fallen flowers you would pick from the sidewalk
and wear on your hair: such flametree delight,
such buttercup joy. Now the flowers
are in a wooden box. The last time
I opened the lid, the petals were brown
and scentless but I could not throw them away.

Now I can think
of everything: seashells, sunset love,
how your hands held me,
how your mouth took me in so deep. A slate blue
sea. Books. Falling stars.

But nothing falls tonight,
nothing is thrown away; the July leaves
are asleep and the saddest stars are in place.
The clouds do not breathe. The sky refuses
to sing. Even the dust is calm,
does not suffer.

Strange. I can't feel
a thing. I've hidden myself
in my words. Can build a strong fortress,
really, these things. Wordbrick upon wordbrick -
yes no ask me tomorrow and maybe I'll love you
and I know how safe I am. Images, what mortar.
Walls, how high. Flowers can't enter. Seashells
are shut out. Kisses can't get in.
I can't get you in.

My drunken delight with the moon. I've lost you in the safest syn-
tax somewhere, in that Gehenna between me and the moon.
I've shut everything out with
so many words. So safe.

Nothing moves. Not even
a whirligig pain. Nothing moves. Not even the memory
of your tears. Your cry frozen on your face,
like in those victims of violent deaths. 3

Sorry. I must
destroy my fortress of words and finally learn
how to speak. Hate be the battered ram.
Maddest skies be th armies to raid me.
Footsteps bring me no pain. Now the night
comes and I am a bruise passing through -
not a slash, not a welt -
blue-gray and bitter.

Not even lightning. Someday
when this is all over and I am in pain,
I can love you again.
Someday, when I'm feeling better, I'll return.

But tonight, falling out of your love
and walking under the trees,
I am mostly silence,
mostly real and empty,
mostly like the moon.

How I wish you could wound me.
 
 
Current Location: wonderland
Current Mood: drained
Current Music: the hum of the aircon
 
 
 
 

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